Last Updated:
September 17, 2022

Viola
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Featured

Li-Kuo Chang

Viola Magazine is proud to present our Featured Artist for September: Li-Kuo Chang (acting principal viola of the Chicago Symphony).  →
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Tahlia Petrosian on KLASSIK Underground

Violist Tahlia Petrosian (Gewandhaus Orchestra Leipzig) talks to Viola Magazine about her project KLASSIK Underground.  →
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Tahlia Petrosian: “We Need to Offer a Whole Range of Different Ways People Can Access and Enjoy High-Quality Classical Music”

The brilliant Tahlia Petrosian (Gewandhaus Orchestra Leipzig) talks in this exclusive interview for Viola Magazine about her educational background, her career as a violist, her activity as a creative producer, and much more.  →
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Max Raimi’s Tips on How to Get a Job in an Orchestra

Max Raimi (Chicago Symphony) gives us some tips for aspiring viola players who want to play in an orchestra.  →
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Max Raimi: “Try to Think About What Story You’re Trying to Tell”

Max Raimi (Chicago Symphony) talks exclusively with Viola Magazine about our instrument, his compositions, and his work in the orchestra.  →
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Viola Fluency: Milena’s Practice Tips

My favorite part of every practice session is (big surprise) when I have finally earned the treat of playing through my repertoire. Making great music is why we want to play our instruments in the first place!  →
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Li-Kuo Chang’s Advice for Aspiring Violists

Maestro Li-Kuo Chang (acting principal viola of the Chicago Symphony) gives us some tips for young violists.  →
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Li-Kuo Chang: “The Viola Is More Complicated to Being Played Well Than the Violin in Many Ways, Simply Because the Viola Is Not a Well-Proportioned Instrument”

In this exclusive interview for Viola Magazine, world-class violist Li-Kuo Chang (acting principal viola of the Chicago Symphony Orchestra) talks about his musical beginnings in China, his arrival in the USA, and all that he has learned from the great  →
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International Journal of Music

The International Journal of Music (IJM) is the first online archive specializing in Music Performance.