Stage anxiety, a form of specific social anxiety, is particularly prevalent among musicians. This condition manifests through physiological responses such as sweating, tachycardia, dry mouth, dizziness, urgency to urinate, and tremors. It can occur not only during performances but also in anticipation of and after these events. This paper explores the prevalence, predisposing factors, and maintaining factors of stage anxiety among musicians. Studies indicate that 70-80% of musicians, both students and professionals, experience this form of anxiety, with one in four students potentially abandoning their musical studies due to it. Predisposing factors include family influences, social pressure, biological vulnerability, and environmental factors. The concept of classical conditioning is also discussed as a mechanism through which anxiety responses are learned and reinforced. The paper further distinguishes between initiating and maintaining factors, emphasizing the role of negative reinforcement in perpetuating stage anxiety. Common avoidance and escape behaviors are identified, providing insight into how musicians cope with anxiety. Understanding these factors is crucial for developing effective interventions to manage and reduce stage anxiety, enabling musicians to perform at their best and enjoy their craft.