As an artist, my latest endeavor, “Cantigas de Santiago” (Azica Records, 2021), holds a special place in my heart. This project, a collaboration with the talented composer Stephen Goss, is a culmination of shared experiences, deep connections, and a celebration of the rich cultural tapestry that has woven our lives together.
The genesis of this project lies in the longstanding friendship and mentorship I share with Stephen Goss. Having previously collaborated on the enchanting piece “El llanto de los sueños,” inspired by the verses of García Lorca, our artistic synergy naturally led to the creation of “Cantigas de Santiago.” Stephen expressed his desire to dedicate a piece to me and my wife, María Jesús, a sentiment that resonated deeply with us.
Our connection to Santiago, the city where María Jesús and I first met, has been nothing short of magical. It has been a nexus of shared experiences, a place where our individual paths converged and where we, as a couple, embarked on the transformative journey of walking the Camino. Inspired by this shared connection to Santiago, Stephen delved into the study of medieval cantigas, initially envisioning a composition with five movements. However, influenced by the significance of the number seven as a religious symbol, the work evolved into seven movements, with the Kyrie standing as the central piece around which the other six cantigas orbit. These musical narratives draw from various sources, including the Codex Calixtinus and the poems of Martín Códax, who hailed from Vigo, my current residence with my wife.
The tapestry of “Cantigas de Santiago” is woven with diverse threads, each cantiga carrying its own unique history and resonance. The medieval roots of the compositions add an ethereal quality to the music, transporting listeners to a bygone era while maintaining relevance in the contemporary context. The richness of this musical tapestry reflects not only the skillful craftsmanship of Stephen Goss but also the profound connection we share with the cultural heritage embedded in the cantigas.
Beyond the central piece, “Cantigas de Santiago,” the album features other notable compositions that contribute to the eclectic tapestry of musical expression. “Landmarks,” a composition by my friend Matthew Dunne from New York, adds another layer of marvel to the album. Its inclusion is a testament to the collaborative spirit that defines the world of classical music, transcending geographical boundaries to create a harmonious blend of diverse influences.
Another striking piece on the album is Sérgio Assad’s “Portraits,” a collection that pays homage to significant figures. Three central numbers within this work are dedicated to Sandy Bolton, a philanthropist whose contributions have left an indelible mark on the world of guitar. Bolton’s investment of not just his wealth but also his passion has enriched the musical landscape, making the inclusion of “Portraits” a fitting tribute to his legacy.
In crafting this album, the convergence of personal narratives, historical influences, and contemporary expressions creates a musical journey that transcends time and space. It is a testament to the power of collaboration, where the synergy between composer and performer, as well as the interconnectedness of shared experiences, elevates the art form to new heights.
Conclusion
In conclusion, “Cantigas de Santiago” is more than a collection of musical compositions; it is a testament to the enduring power of artistic collaboration and the ability of music to weave together disparate threads into a cohesive and transcendent narrative. As an artist, I am immensely proud of this project, and I hope that listeners find as much joy in experiencing it as we did in bringing it to life. The album invites you to embark on a journey through time and space, guided by the melodies and stories that resonate with the shared human experience.
