As a violinist, my relationship with the music of Johann Sebastian Bach has been a profound and evolving one. It began in my youth, where I first encountered the E Major Prelude at the tender age of ten. Since then, Bach’s compositions have become an integral part of my musical journey, a constant presence in my repertoire during school and competitions. The release of my second CD, “Bach’s Long Shadow” on Orchid Classics, is not merely a recording; it is a culmination of my deepening exploration of Bach’s works and a reflection of the transformative impact his music has had on my artistic expression.
The inspiration to undertake this project emerged from a desire to move beyond a conventional interpretation of Bach’s compositions. The journey started traditionally, rooted in the standard interpretations of the great master’s works. However, as I matured as a musician, I found myself increasingly drawn to delve deeper into the intricacies of Bach’s music. The result was a gradual evolution in my playing style and technique, incorporating ornaments, playing with a lighter touch, and eventually, a shift to gut strings to authentically embrace the Baroque style.
The project took on an added dimension during the challenging days of the pandemic. It became a sanctuary, a refuge where I could find solace and artistic exploration amidst the uncertainty. The album, divided into two parts – “Bach’s Long Shadow” and “The Chaconne Files,” symbolizes not only a reverence for Bach’s legacy but also a personal quest to reinterpret and rejuvenate his compositions.
“The Chaconne Files” in particular, featuring the Partita in D Minor alongside a contemporary piece by a Spanish composer inspired by the Chaconne, allowed me to reevaluate Bach’s Chaconnes and contemplate the deeper meanings embedded in his music. Through this process, I discovered the humility inherent in Bach’s creations, realizing that his music transcends the individual, focusing on faith, natural beauty, and the shared values that connect us all. It compelled me to revisit preconceived notions accumulated over the years, ensuring that my interpretations authentically conveyed Bach’s profound message.
One of the intriguing aspects of music is the interplay of influences and connections throughout history. The second Sonata in the album, for instance, explicitly quotes the opening of Bach’s E Major Prelude, establishing a meaningful link between past and present. In live performances, I have incorporated Baroque elements, utilizing a Baroque violin with proper tuning for part of the program, seamlessly transitioning to another violin for virtuosic pieces connected to Bach. This approach not only connects the musical elements but also serves as a unique way to present the album, creating a richer experience for the audience.
Beyond musical connections, the pandemic prompted me to explore alternative ways to connect with composers and audiences. When live performances became elusive, I embraced the opportunity to establish deeper connections with the creative minds behind the compositions, fostering a newfound appreciation for the collaborative essence of music.
Looking ahead, my schedule promises a whirlwind of activity in the coming months. Amidst extensive travel and intense practice sessions, a project that particularly excites me is the release of Vivaldi’s Four Seasons with Apollo’s Fire and Jeannette Sorrell. Scheduled for mid-October, this collaboration with the renowned Baroque orchestra promises to be a highlight of the upcoming months. Having previously worked with them on a few projects, the synergy and artistic vibrancy of our collaborations have been exceptional.
Apollo’s Fire, under the visionary leadership of Jeannette Sorrell, stands as a beacon in the realm of Baroque orchestras. Their innovative approach and commitment to musical excellence have always resonated with me, making this collaboration a natural and exciting endeavor. Beyond the standard rendition of Vivaldi’s Four Seasons, the addition of a Baroque harp injects new life into the composition, aligning with Jeannette’s fresh and invigorating vision for the piece. As we celebrate Apollo’s Fire’s 30th Anniversary, this collaboration promises not only a captivating performance of Vivaldi’s masterpiece but also marks the beginning of an ongoing artistic journey with the orchestra.
The recent completion of the editing process has left me eagerly anticipating the release of this recording. I believe it captures a breath of fresh air, offering listeners a new perspective on Vivaldi’s timeless work. This collaboration represents not just a musical endeavor but a celebration of the dynamic and ever-evolving nature of classical music.
Conclusion
In conclusion, the release of “Bach’s Long Shadow” and the upcoming collaboration with Apollo’s Fire signify more than mere musical projects; they embody a continuous journey of exploration, reinterpretation, and connection. As I delve deeper into the rich tapestry of classical music, I find myself inspired by the timeless legacy of Bach and invigorated by the vibrant collaborations that lie ahead. In the midst of challenges and uncertainties, music remains a constant source of solace, connection, and boundless creativity. Through these projects, I hope to share the profound joy and transformative power of music with audiences, inviting them to join me on this ever-evolving musical odyssey.
