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Alban Gerhardt: “You Should Have a Wide Horizon. Do Not Be Too Proud to Do the Basic Routines”

Abstract:

This comprehensive interview delves into the multifaceted musical journey of cellist Alban Gerhardt, offering a rich narrative spanning his early influences, career choices, and artistic collaborations. Born into a musical family, Gerhardt shares poignant memories of his formative years, recounting experiences such as performing the Schubert Quintet with his father at the age of nine, which left an indelible mark on his musical sensibilities.

The conversation unfolds to explore Gerhardt’s diverse educational path, from studying in Berlin and Cincinnati to his time in Cologne. He sheds light on the pivotal moment when, at the age of twenty, he won the German Music Council Competition, reshaping his perception of his capabilities as a cellist. His decision to remain a freelance musician rather than joining his father’s orchestra emerges as a defining choice in his career trajectory.

The interview scrutinizes Gerhardt’s recent ventures, notably his foray into the digital realm through Patreon during the COVID-19 pandemic. He discusses the challenges of adapting to online platforms, the inspiration behind his unique projects like “daily routines” on Patreon, and the intersection of technology and classical music.

A focal point of the discussion is Gerhardt’s collaboration with choreographer and dancer Summer Ulrikson in the groundbreaking project, “Love in Fragments.” The cellist reflects on the process of creating a choreographed performance that explores the various facets of love, accompanied by live music, providing a rare glimpse into the intersection of music, dance, and visual art.

Gerhardt also delves into his recent album featuring Shostakovich’s cello concertos, offering insights into his interpretative choices and the influence of Mstislav Rostropovich, for whom the concertos were originally written. He emphasizes the importance of varied interpretations in classical music, advocating for a diverse range of performances.

As the interview progresses, Gerhardt discusses his upcoming plans, including an album featuring encores favored by Emanuel Feuermann. He outlines his meticulous approach to maintaining proficiency in technically demanding repertoire, providing a glimpse into his practice routines and strategies.

Concluding with valuable advice for aspiring cellists, Gerhardt underscores the importance of a broad musical education, urging musicians to look beyond their instruments and embrace a diverse range of influences. The interview paints a vivid portrait of Alban Gerhardt’s artistic evolution, offering a glimpse into the mind of a musician dedicated to pushing boundaries and exploring the expansive realm of classical music.

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Publication date:

ISSN: 2792-8349

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International Journal of Music