Milan Turković: “Every Person Is Different and Learns in a Different Way”

Milan Turković, a seasoned musician with over two decades of experience as an orchestral member, reflects on his multifaceted career in this enlightening interview. Having spent a significant portion of his musical journey with the Vienna Symphony Orchestra, Turković discusses the challenges and rewards of orchestral life, emphasizing the valuable lessons learned from distinguished conductors. Transitioning into a soloist role, he shares insights into his shift towards conducting, tracing the roots of his interest back to his formative years as a music student and a pivotal experience of playing and conducting in Italy.

The interview sheds light on Turković’s international engagements, particularly in the United States and Japan, unraveling the fortuitous connections that led to collaborations with institutions like the Juilliard School and Lincoln Center. However, he candidly addresses the complexities of the U.S. immigration process, contrasting it with more comfortable experiences in other countries like Japan. His significant impact in Japan is attributed to his role in founding the Ensemble Wien-Berlin, comprising members from the Vienna and Berlin Philharmonic orchestras.

Delving into his teaching philosophy, Turković advocates for nurturing individuality in students and fostering versatility. He shares the pivotal role of mentors such as Nikolas Harnoncourt and Trevor Pinnock in shaping his perspective on baroque music. The conversation touches upon his extensive discography, illuminating the meticulous preparation required for instrumental and conducting projects, offering a glimpse into his current endeavors, including a forthcoming CD project featuring late romantic French music.

As the interview concludes, Turković provides advice to aspiring musicians and conductors, emphasizing the uniqueness of each individual’s learning journey. He also offers a behind-the-scenes anecdote about a challenging recording experience, highlighting the intricate process of creating musical recordings. The interview concludes with a glimpse into Turković’s ongoing projects, including his involvement in the Rossini Conservatory’s International Bassoon Competition in Pesaro, Italy, and the writing of his sixth book. Through this interview, Milan Turković’s rich musical journey unfolds, offering valuable insights for both seasoned professionals and aspiring talents in the world of classical music.