Laetitia Stott — A Horn Player at the National Theatre
British horn player Laetitia Stott talks about what working at the National Theatre has brought her as a musician.
Laetitia Stott — A Horn Player at the National Theatre Open »
Horn
Percussion
Orchestra Experience and Audition Tips by Cynthia Yeh
Cynthia Yeh (Chicago Symphony) has a wealth of experience in auditions and as principal percussion in her orchestra, so she shares some tips here.
Orchestra Experience and Audition Tips by Cynthia Yeh Open »
Oboe
Hansjorg Schellenberger on his Urtext edition of the Strauss’ Oboe Concerto
Hansjörg Schellenberger talks exclusively to Oboe Magazine about his Urtext edition of the Strauss Concerto.
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Bassoon
My COVID Concerto
Performing a concerto with orchestra requires a different skill-set than that normally employed by an orchestral musician, especially a bassoonist. Whereas an orchestral bassoonist will typically carry a prominent musical line for a short time, a bassoon soloist carries most of the thematic material for the concerto’s duration. This requires a deeper dive into a piece’s innerworkings. For my debut concerto as Principal Bassoon of the Atlanta Symphony Orchestra, I not only faced the typical challenges associated with soloing with an orchestra. I also met hurdles like repertoire changes, shortened timelines for preparation, decision-making processes about errata and interpretations, and new parameters for performance, all while navigating an unfamiliar landscape due to the raging COVID-19 pandemic. What I learned in this process enabled me to not only deliver a successful performance of the Hertel Concerto in A minor for Bassoon, but also prepared me for what challenges lie ahead the next time I’m called upon to step to the front of the stage.
Guitar
Nicholas Simmons — “No. 58, Manuel Barrueco, Robert Ruck, & a Guitar”
Tonar Music releases a coffee-table book called “No. 58, Manuel Barrueco, Robert Ruck, & a Guitar”, which tells the story of Barrueco’s legendary guitar No. 58 by Robert Ruck, which has become one of the most famous classical guitars in the world.
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Violin
Francisco Fullana & the Classical Music Institute in San Antonio
Francisco Fullana serves as Chamber Music Director at the Classical Music Institute in San Antonio, an exciting project that he talks about in this conversation.
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Piano
Ahmad Jamal’s Advice for Musicians
Here are some tips for young musicians that the legendary jazz pianist Ahmad Jamal has shared in an interview for Piano Magazine.
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Violoncello
Jo Cole: “Even Though Practising Can Feel Demoralising, It Is Important to Keep the Instrument Alive With You”
Cellist Jo Cole discusses her beginnings as a professional cellist, her time teaching at the Royal Northern College of Music, her role as Head of Strings of the Royal Academy of Music in London, her writing and blog, and useful advice for young musicians.
Trumpet
Lucienne Renaudin-Vary — “Piazzolla Stories” (Warner Classics, 2021)
Lucienne Renaudin-Vary talks to Trumpet Magazine about her latest release: “Piazzolla Stories” on Warner Classics. Listen to it here!
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Trombone
To Buzz or Not to Buzz — That Is Not the Only Question
The practice of buzzing has become a divisive pedagogical practice in the brass world. One side, the “pro-buzzing” community, argues that buzzing on the mouthpiece away from the instrument can help players improve intonation and lip vibration. The “anti-buzzing” group believes that buzzing is potentially harmful, encouraging bad habits that will manifest when the player introduces the actual instrument.
To Buzz or Not to Buzz — That Is Not the Only Question Open »