Daily Practice

Trombone

To Buzz or Not to Buzz — That Is Not the Only Question

The practice of buzzing has become a divisive pedagogical practice in the brass world. One side, the “pro-buzzing” community, argues that buzzing on the mouthpiece away from the instrument can help players improve intonation and lip vibration. The “anti-buzzing” group believes that buzzing is potentially harmful, encouraging bad habits that will manifest when the player introduces the actual instrument.

To Buzz or Not to Buzz — That Is Not the Only Question Open »

Percussion Horn Strings Winds

Endless Becoming — The Process of Lifelong Learning in Music amid a Landscape of Expectations, Goals, and Perceived Success

As a society, we are increasingly driven by immediate gratification. As artists and performers, this terrain can be quite tricky. We are encouraged to make goals and chase them, to dream, to look for inspiration from examples of excellence all around us. Yet it is often those same examples that lead to comparing, judging and negative thoughts. The goals we set in earnest can easily morph into unrealistic expectations, which in turn can lead to disappointment. Artists can find happiness and satisfaction at every level of the industry, yet so many that have found conventional success nevertheless find themselves unfulfilled. Meanwhile, thriving artists full of confidence and passion can be overlooked and judged for not meeting the conventional ideas of success. We’re often told to focus on the process, but in a business overly concerned with one’s lists of achievements and their timely execution of certain skills, it is easy to strive for results and miss the process altogether. In this article, I hope to offer different perspectives on success and how to manage goals and expectations in a healthy way. I offer practical advice for how to bring process-learning into our practice and performances, and how to find peace with every point on each artist’s unique path of endless becoming.

Endless Becoming — The Process of Lifelong Learning in Music amid a Landscape of Expectations, Goals, and Perceived Success Open »

Trombone

David Rejano: “Listen to Good Music, Not Only to Trombone Music”

David Rejano (principal trombone of the Los Angeles Philharmonic) is a musician who has stood out since he was very young, being a member of Daniel Barenboim’s West-Eastern Divan Orchestra, graduating with a special prize at the Paris Conservatory with Gilles Millière, and being principal trombone of prominent European orchestras since he was 19 years old.

David Rejano: “Listen to Good Music, Not Only to Trombone Music” Open »

Scroll to Top