Separating the Art from the Craft
Restricted access This content is exclusive to members of the International Journal of Music. Join now for as low as $1.67 per month… …or get […]
Separating the Art from the Craft Open »
Restricted access This content is exclusive to members of the International Journal of Music. Join now for as low as $1.67 per month… …or get […]
Separating the Art from the Craft Open »
This guide to orchestral auditions will explain a step-by-step approach for building confidence and consistency in the preparation process. By organizing yourself with “the set-up,” “the work,” “the mantras,” and “the moment,” you will develop a thoughtful and personalized approach for tackling auditions.
Guide to Orchestral Auditions Open »
Restricted access This content is exclusive to members of the International Journal of Music. Join now for as low as $1.67 per month… …or get
My Three Pillars of Practice: Improvement, Maintenance, and Discovery Open »
Preparing orchestra audition repertoire is far more than a practical necessity—it can be a transformative pathway toward instrumental and artistic growth. Through my teaching as well as personal audition experiences, I have learned that mastering the excerpts and acquiring the skills necessary to play with confidence under audition pressure can inspire and motivate you to learn to play with better control, refined musicality, and to define and execute virtuosity in new ways. With time and patience, this leads to improvement in all types of playing in all situations beyond the orchestra audition. In this essay, I describe my approach to different components of the preparation process—listening to and absorbing the repertoire, making orchestral excerpts part of your practice routine, using musicality to guide the necessary acquisition of new technique, approaches to intonation, rhythm, sound quality, and dynamics, and the emphasis on long-term progress.
Preparing Your Orchestra Audition: A Roadmap to Becoming the Musician You Always Wanted to Be Open »
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Miguel Angel Lorente — Timbre and Intonation Open »
Make the most out of studying intervals, thanks to Nick Mainella (Professor of Saxophone at Saint Anselm College, NH, USA), who explains the great benefit of this type of practice and how to approach it.
Getting The Most Out Of Practicing Intervals Open »
Restricted access This content is exclusive to members of the International Journal of Music. Join now for as low as $1.67 per month… …or get
Tomas Jerez — Improving Intonation #2 Open »
Restricted access This content is exclusive to members of the International Journal of Music. Join now for as low as $1.67 per month… …or get
Jim Gailloreto — Building a Jazz Sound #4: Intonation Open »
Restricted access This content is exclusive to members of the International Journal of Music. Join now for as low as $1.67 per month… …or get
Tomas Jerez — Improving Intonation #1 Open »