Author name: Elijah Denecke

Visiting Assistant Professor of Music at Purdue University Fort Wayne, Indiana.

Trombone

Achilles Liarmakopoulos: “We All Have Our Own Music We Listen To, but When We Share New Things With Each Other, We All Benefit”

Trombonist of the Canadian Brass Achilles Liarmakopoulos talks about his early musical inspirations, how he got involved with Canadian Brass, and the release of his latest album “Volar” with Venezuelan group Cuatrombon.

Achilles Liarmakopoulos: “We All Have Our Own Music We Listen To, but When We Share New Things With Each Other, We All Benefit” Open »

Violoncello

Maya Fridman: “Of Course, Improvising Gives Me a Lot of Ideas to Choose From When I’m Composing, but I Try to Push Myself Outside My Comfort Zone in Order to Create Something Fresh”

Cellist and composer Maya Fridman talks about what inspired her latest album, “The Power of Indifference,” and how it takes a different mindset to compose than it does to improvise.

Maya Fridman: “Of Course, Improvising Gives Me a Lot of Ideas to Choose From When I’m Composing, but I Try to Push Myself Outside My Comfort Zone in Order to Create Something Fresh” Open »

Violoncello

Sophie Kauer: “I Would Have Thought That Acting Would Be Very Different From Playing, but I Quickly Learned They Have So Much in Common”

Cellist Sophie Kauer, who stars in the new film “TÁR,” shares her experience acting in a film about music as a professional musician and working with Cate Blanchett.

Sophie Kauer: “I Would Have Thought That Acting Would Be Very Different From Playing, but I Quickly Learned They Have So Much in Common” Open »

Piano

Omer Meir Wellber: “Really Good Conductors Are Able to Recognize the Potential in Others and Bring That Out in the Music in What Almost Feels Like a Magical Experience”

Composer, performer, and conductor of the BBC Philharmonic Omer Meir Wellber shares about his early influences as a musician, as well as an upcoming release entitled ‘The Mandolin Seasons’ that features mandolinist Jacob Reuven performing pieces by Vivaldi and Piazzolla.

Omer Meir Wellber: “Really Good Conductors Are Able to Recognize the Potential in Others and Bring That Out in the Music in What Almost Feels Like a Magical Experience” Open »

Double Bass

Dane Roberts: “I Think if Someone Really Wants to Get Into Early Music, They Should Start With a Single Piece or Composer They Are Fascinated by and Follow the Obvious Leads. You Will Be Surprised How Far That Will Take You!”

Double bassist with the Chamber Orchestra of Europe and Freiburg Baroque Orchestra and Teacher of Violone and Historical Bass in Graz and Frankfurt, Dane Roberts details his experience as a musician from the United States and Europe and his thoughts on the role of the “historical” double bass and its place in the current classical music landscape.

Dane Roberts: “I Think if Someone Really Wants to Get Into Early Music, They Should Start With a Single Piece or Composer They Are Fascinated by and Follow the Obvious Leads. You Will Be Surprised How Far That Will Take You!” Open »

Percussion

Alessandra Belloni: “When We Played This Music for People, It Wasn’t Only Healing for Us; It Was Healing for the Communities”

We sit down with Italian singer, teacher, ethnomusicologist, and percussionist Alessandra Belloni to discuss her experiences learning tambourine from the people of Southern Italy and the role in bringing the music associated with the Black Madonna to people all over the world.

Alessandra Belloni: “When We Played This Music for People, It Wasn’t Only Healing for Us; It Was Healing for the Communities” Open »

Saxophone

Marius Neset: “When I Play the Sax, I Want to Be Able to Use It as a Tool for Creative Expression. That’s What I Want to Do Most With My Music”

In this interview, jazz saxophonist Marius Neset details his early career successes as well as a new release called ‘Manmade’ Concerto for Saxophone and Orchestra, recorded with the Bergen Philharmonic Orchestra.

Marius Neset: “When I Play the Sax, I Want to Be Able to Use It as a Tool for Creative Expression. That’s What I Want to Do Most With My Music” Open »

Double Bass

Herng-Yu Pan: “Auditioning Taught Me How to Fail, and I Think This Is a Good Thing to Learn as a Musician”

Herng-Yu Pan, double bassist with the BBC Symphony Orchestra and Professor at the Central Conservatory of Beijing, offers insights about her first few years playing in a major symphony orchestra and teaching across the world during a pandemic.

Herng-Yu Pan: “Auditioning Taught Me How to Fail, and I Think This Is a Good Thing to Learn as a Musician” Open »

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