Interviews [adning id=”41188″] Guitar David Starobin: “I Rebelled Against the Model” Violoncello Maya Fridman: “Of Course, Improvising Gives Me a Lot of Ideas to Choose From When I’m Composing, but I Try to Push Myself Outside My Comfort Zone in Order to Create Something Fresh” Guitar José Vigil: “The Guitars Made Today in Granada Are Not a Direct Evolution of the Old Guitars” Piano Artur Pizarro: “I Really Wanted to Go Bechstein Rather Than Steinway Because of the Characteristics of the Sound of the Piano. I Wanted Something a Little Bit More Refined and With More Ties to a European Piano Sound, an Old German Piano Tradition Rather Than a More Modern, Homogenized Standard Sound” Double Bass Giuseppe Ettorre: “I Think You Should Play Music Because It Is a Part of Your Being” Trumpet Cathy Leach: “An Eagerness to Go Beyond Your Comfort Zone Is Very Important for Growth” Saxophone Interview with Timothy McAllister, Part 1 — “Empowering Students for ‘Their’ Path” Bassoon Per Hannevold: “My Teacher at Juilliard Used to Say That the Best Advice Against Being Nervous Is to Know What You’re Doing” Clarinet Stephen Williamson: “Music Is a Universal Language. It’s Been Gratifying Within the Doom and Gloom of Everything Shutting Down to Be Able to Perform and Teach Virtually” Bassoon Jacqueline Wilson: “As a Teacher, I Want to Flip the Narrative and Say, ‘You Are a Musician. You Inherently Have Worth. What Is Your Individual Viewpoint or What Unique Path Are You Going to Carve for Yourself to Contribute to This Field?’” Previous Page 1 2 3 4 … 28 Next Page [adning id=”41189″]
