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William Molina Cestari on His New Projects


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ISSN: 2792-8349

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International Journal of Music

Yes, of course! Your emblematic dark chocolate colour cello. Amazing. Well, William, we are approaching the end of the talk. Is there anything you would like to announce?

Well, I haven’t recorded many CDs so far, only five. Among them, one with Dvořák’s Concerto and Tchaikovsky’s Variations on a Rococo Theme with the Simón Bolívar Symphony Orchestra and Eduardo Marturet as a conductor. And my first CD was called Oblivion — eleven short pieces for cello and piano, many tangos among them. And I hope that next year, my Bach cello suites will be released on Spotify. But I am being careful since I am not good with technology; my job is “cello”, and, to confess something, my biggest passion is chamber music because, when I play with my colleagues, it is a wonderful moment of sharing — like a cake that you share between friends.

It is a unique moment, I agree. And we musicians are so lucky to get to share such a moment with other human beings.

Exactly. But even though this is my most profound passion, I also love playing concertos, and I like playing in the orchestra — I played solo cello in an orchestra for all my life (first as a solo cellist of the Simón Bolívar Symphony Orchestra in Venezuela, and now as a solo cellist of the Mineria Symphony Orchestra in Mexico). And I taught for 40 years. I think that this versatility is essential in a cellist’s life. Teaching is fundamental, too — the collective consciousness through your students, to pass on a heritage. And what I also enjoy lately is watching my students teach other students — seeing their observation power at work. That is fascinating.

[External link: William Molina Cestari on Facebook]

Full Interview: “As Teachers, We Need to Have the Right Lenses to See What Fits Our Students Better”

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