Violoncello

Violoncello

Hildur Guðnadóttir: “The Score Can Almost Go Unnoticed — Its Transparency Is Meant to Draw You in and Keep You on Your Toes”

Cellist and film composer Hildur Guðnadóttir shares her thoughts on what makes the score for the new film “TÁR” unique and how it lends to the overall feeling of uneasiness throughout the movie.

Hildur Guðnadóttir: “The Score Can Almost Go Unnoticed — Its Transparency Is Meant to Draw You in and Keep You on Your Toes” Open »

Violoncello

Wall-to-Wall Cellists

Five and a half hours of music for cello in one evening! When you gather around the greatest cellists of our times, this is a highly entertaining affair. Jan Vogler, himself a cellist and the director of the Dresden Music Festival, invited his colleagues to a festival-within-festival for the second time since 2018.

Wall-to-Wall Cellists Open »

Violoncello

Josie Campbell: “After ‘Black Lives Matter’ There Was a Big Push to Start Playing Music by Underrepresented Groups”

Josie Campbell is a young American cellist studying at the Royal Academy of Music in London through a Marshall Scholarship who is committed to bringing music by underrepresented groups to the stage. Nadège Rochat speaks with her about her experience in the UK and her work to advocate black voices in classical music.

Josie Campbell: “After ‘Black Lives Matter’ There Was a Big Push to Start Playing Music by Underrepresented Groups” Open »

Violoncello

Josephine Knight: “Seeing the Autograph of Schumann’s Conzertstück Was a Revelation for Me”

Josephine Knight holds the Piatti Chair of Cello at the Royal Academy of Music London. She has recently done research on the autograph of Schumann’s Concerto (originally titled ‘Conzertstück’), which she has edited with Peters and recorded with the Royal Northern Sinfonia and conductor Martin Yates. Nadège Rochat talked with her about this impressive achievement.

Josephine Knight: “Seeing the Autograph of Schumann’s Conzertstück Was a Revelation for Me” Open »

Violoncello

Eckart Runge: “Many Things Are Not Written in Musical Scores, and You Have to Just Trust Your Instinct on That”

Nadège Rochat has an interesting conversation with Eckart Runge, who is probably one of the most versatile European cellists who can be seen in his eclectic Duo Runge&Ammon, in a more traditional chamber ensembles, or as a soloist with orchestra.

Eckart Runge: “Many Things Are Not Written in Musical Scores, and You Have to Just Trust Your Instinct on That” Open »

Scroll to Top