Orchestral

Horn

Jonathan Lipton: “You Must Put the 12 Feet of Ego Away in the Case and Go for a Mindful Walk”

Jonathan Lipton has been for over 30 years the iconic 4th horn of the London Symphony, with whom he has made memorable performances and recordings. In this interview for Horn Magazine, Lipton talks to Will Padfield about his beginnings with the instrument, coming to England from the United States, and working as an orchestral musician.

Jonathan Lipton: “You Must Put the 12 Feet of Ego Away in the Case and Go for a Mindful Walk” Open »

Bassoon

My COVID Concerto

Performing a concerto with orchestra requires a different skill-set than that normally employed by an orchestral musician, especially a bassoonist. Whereas an orchestral bassoonist will typically carry a prominent musical line for a short time, a bassoon soloist carries most of the thematic material for the concerto’s duration. This requires a deeper dive into a piece’s innerworkings. For my debut concerto as Principal Bassoon of the Atlanta Symphony Orchestra, I not only faced the typical challenges associated with soloing with an orchestra. I also met hurdles like repertoire changes, shortened timelines for preparation, decision-making processes about errata and interpretations, and new parameters for performance, all while navigating an unfamiliar landscape due to the raging COVID-19 pandemic. What I learned in this process enabled me to not only deliver a successful performance of the Hertel Concerto in A minor for Bassoon, but also prepared me for what challenges lie ahead the next time I’m called upon to step to the front of the stage.

My COVID Concerto Open »

Percussion

Cynthia Yeh: “I Didn’t Know How Hard Some Things Were Supposed to Be. I Still Tell My Students That to This Day; The Things You Think Are Hard Are Only That Way Because Someone Told You They Were”

Principal percussion of the Chicago Symphony Orchestra, Cynthia Yeh, talks about her path to becoming a professional musician, how the CSO creatively handled the pandemic, and gives advice for taking orchestral auditions.

Cynthia Yeh: “I Didn’t Know How Hard Some Things Were Supposed to Be. I Still Tell My Students That to This Day; The Things You Think Are Hard Are Only That Way Because Someone Told You They Were” Open »

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