Author name: Cat Martinez

Adjunct Professor of Trumpet at Union College in Lincoln, Nebraska.

Violin

Francisco Fullana: “It Is Not Only About Connecting the Musical Elements. It’s Also About Connecting With Others. That’s a Huge Reason Why I Play Music”

Francisco Fullana is a virtuosic young violinist hailing from Spain. He has had an impressive professional career as a soloist and chamber musician and continues to become one of his generation’s top violinists. He discusses his beginnings in music, his time in academia, his outlook on competitions, his work with young musicians, and several exciting new projects, including the CD “Bach’s Long Shadow” and collaborations with Apollo’s Fire.

Francisco Fullana: “It Is Not Only About Connecting the Musical Elements. It’s Also About Connecting With Others. That’s a Huge Reason Why I Play Music” Open »

Trombone

Jeremy Wilson: “Hug the Cactus. You Know It Will Be Difficult, but You Also Know It Will Be Good for You”

Jeremy Wilson, Associate Professor of Trombone at the Vanderbilt School of Music, discusses early influences and education, his career as a trombonist in the Vienna Philharmonic and Vienna State Opera, his teaching philosophy, tips for preparing a successful audition, new recording projects, and his Body Mind Spirit Workshops.

Jeremy Wilson: “Hug the Cactus. You Know It Will Be Difficult, but You Also Know It Will Be Good for You” Open »

Double Bass

Szymon Marciniak: “There Are Many Ways to Achieve Good Sound and Technique, but the Entry Point Is the Same. You Have to Find a Relationship With Your Instrument That Is Natural for Your Body”

Szymon Marciniak, renowned double bass soloist and professor at the University of Music Saar in Saarbrücken, Germany, discusses his experience with competitions, new works for bass, teaching techniques, and his new program for the 2021 ISB Convention, “Towards the Light.”

Szymon Marciniak: “There Are Many Ways to Achieve Good Sound and Technique, but the Entry Point Is the Same. You Have to Find a Relationship With Your Instrument That Is Natural for Your Body” Open »

Bassoon

Milan Turković: “Every Person Is Different and Learns in a Different Way”

Austrian bassoonist and conductor Milan Turković discusses his amazing career as an internationally acclaimed bassoon soloist, his time with the Vienna Symphony Orchestra and other ensembles, his conducting career, his teaching experience, advice for creating professional recordings and his upcoming projects.

Milan Turković: “Every Person Is Different and Learns in a Different Way” Open »

Piano

Mari Kodama: “Even Seemingly Unbalanced Art Is Balanced Perfectly to Move Us. And Such Can Be Said for Performers. Pianists Should Aim to Have a Perfectly Balanced Triangle of the Mind, Heart, and Hands”

Mari Kodama is an international pianist and is highly regarded as a Beethoven interpreter. She is a Steinway Artist and serves as a music festival director for several national and international festivals. In this interview, Mari Kodama discusses her beginnings in Europe, her mentors and teaching philosophy, her unique repertoire choices, her passion for Beethoven, and several exciting projects on the horizon.

Mari Kodama: “Even Seemingly Unbalanced Art Is Balanced Perfectly to Move Us. And Such Can Be Said for Performers. Pianists Should Aim to Have a Perfectly Balanced Triangle of the Mind, Heart, and Hands” Open »

Clarinet

Richard Stoltzman: “If You Get to Play Your Instrument for Other People, You Should Be Filled With Gratitude and Humility for What It Is You’ve Chosen to Do”

Clarinetist Richard Stoltzman has led an extraordinary life of music-making and performing. He is a two-time Grammy Award winner and has been an influential performer and musician to clarinet players worldwide. Stoltzman maintains a rewarding career performing as a featured soloist, chamber musician and collaborator. In this interview, he discusses his humble beginnings, his love of jazz and classical music, exciting collaborations and performances, the importance of having a manager, and his teaching philosophy about interpreting music.

Richard Stoltzman: “If You Get to Play Your Instrument for Other People, You Should Be Filled With Gratitude and Humility for What It Is You’ve Chosen to Do” Open »

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