Franco Petracchi’s Highlights
We are honoured to announce Bass Magazine’s first Featured Artist of 2022: Maestro Franco Petracchi.
Franco Petracchi’s Highlights Open »
We are honoured to announce Bass Magazine’s first Featured Artist of 2022: Maestro Franco Petracchi.
Franco Petracchi’s Highlights Open »
As a successful young double bass player, Lorraine Campet is probably best placed to give some advice to today’s double bass students.
Lorraine Campet’s Advice for Double Bass Students Open »
Fanny Azzuro talks to Piano Magazine about her latest release, “The Landscapes of the Soul”, a new album dedicated to the complete Préludes of Rachmaninoff, for the British label Rubicon Classics — a first for a French woman pianist.
Fanny Azzuro — “The Landscapes of the Soul” (Rubicon Classics, 2021) Open »
Dr Danielle VanTuinen (University of Florida) shares with Tuba Magazine a series of interesting tips whether you are a student or a teacher.
Danielle VanTuinen’s Tips for Tuba and Euphonium Students and Teachers Open »
Dr Shannon Lowe (professor at the University of Florida) shares with Bassoon Magazine a series of interesting tips for students and teachers.
Shannon Lowe’s Tips for Bassoon Students and Teachers Open »
After graduating from the Conservatoire National Supérieur de Musique de Paris, in piano and chamber music, Fanny Azzuro won many international competitions in France and the USA (Cincinnati and Washington). Officially a Yamaha Artist, she is also supported by Spedidam, the Mécénat Musical Société Générale, the Safran Foundation for Music and the Adami.
A variety of arrangements and performances by great pianists reveal different facets of Bach’s masterpiece.
Jesu, Joy of Man’s Desiring Open »
Internationally known for her double bass and violin playing, Lorraine Campet shares her perspective on playing more than one instrument professionally, promoting the double bass as a solo instrument, and her future projects.
In March, I wrote a short article for the International Journal of Music in anticipation of the 80th birthday of Teppo Hauta-aho on 27 May
Rudolf Serkin complained once: “how come, before I play the opening chord of Beethoven’s Fourth Piano Concerto, I have to take the time to prepare
The Music of the Wrists Open »