Transforming Musical Dreams into Reality: The Power of Vision and Action in Music Entrepreneurship
Restricted access This content is exclusive to members of the International Journal of Music. Join now for as low as $1.67 per month… …or get […]
Restricted access This content is exclusive to members of the International Journal of Music. Join now for as low as $1.67 per month… …or get […]
Restricted access This content is exclusive to members of the International Journal of Music. Join now for as low as $1.67 per month… …or get
Although music is, of course, not a competitive art form, participating in competitions can shape the development of young musicians. This is the story of how I got into doing competitions, plus some advice for YOUR next competition.
Competitions – Just for Horses? Open »
Today many businesses operating in competitive markets offer Performance Coaching to their employees. It is an established and successful tool to enhance their performance and achieve their full potential. The same care is given to professional athletes who receive psychological support through coaching to cope with the pressure and stress of performing at an elite level. Yet, in the music world, there is very little on offer to help musicians deal with the strains and demands of their job. For over 30 years, I have worked as a section leader in world-class orchestras in the UK and abroad. This rich background of experience, paired with in-depth training and a qualification in Business and Performance Coaching, has given me an understanding of how to deal with extreme situations and achieve peak performances in a high-pressured working environment. In this article, I would like to share the knowledge I gained through my work as a performance and business coach and how I experienced the benefits of being coached. I will focus on two different aspects of our work as musicians, the individual performance as well as the performance as a collective, and how coaching can be a supportive intervention for everyone performing in the music industry.
Performance Coaching — A Tool to Enable the Sustainable Delivery of Excellence Open »
Malachy Robinson, principal bassist with the Irish Chamber Orchestra and Crash Ensemble, discusses the repertoire on his recent solo album.
Malachy Robinson — “The Irish Double Bass” (2021) Open »
Finding himself, like most musicians, unable to work because of coronavirus restrictions, Chris West spent lockdown researching the life of Giovanni Bottesini. He ended up writing the first biography in English of the great man and in the process gained insights into his works for double bass.
A New Biography of Giovanni Bottesini Open »
Restricted access This content is exclusive to members of the International Journal of Music. Join now for as low as $1.67 per month… …or get
Viola Fluency: Milena’s Practice Tips Open »
This guide to orchestral auditions will explain a step-by-step approach for building confidence and consistency in the preparation process. By organizing yourself with “the set-up,” “the work,” “the mantras,” and “the moment,” you will develop a thoughtful and personalized approach for tackling auditions.
Guide to Orchestral Auditions Open »
As a society, we are increasingly driven by immediate gratification. As artists and performers, this terrain can be quite tricky. We are encouraged to make goals and chase them, to dream, to look for inspiration from examples of excellence all around us. Yet it is often those same examples that lead to comparing, judging and negative thoughts. The goals we set in earnest can easily morph into unrealistic expectations, which in turn can lead to disappointment. Artists can find happiness and satisfaction at every level of the industry, yet so many that have found conventional success nevertheless find themselves unfulfilled. Meanwhile, thriving artists full of confidence and passion can be overlooked and judged for not meeting the conventional ideas of success. We’re often told to focus on the process, but in a business overly concerned with one’s lists of achievements and their timely execution of certain skills, it is easy to strive for results and miss the process altogether. In this article, I hope to offer different perspectives on success and how to manage goals and expectations in a healthy way. I offer practical advice for how to bring process-learning into our practice and performances, and how to find peace with every point on each artist’s unique path of endless becoming.
Restricted access This content is exclusive to members of the International Journal of Music. Join now for as low as $1.67 per month… …or get
Practicing for Auditions with Technology Open »