Double Bass

Double Bass

Dane Roberts: “I Think if Someone Really Wants to Get Into Early Music, They Should Start With a Single Piece or Composer They Are Fascinated by and Follow the Obvious Leads. You Will Be Surprised How Far That Will Take You!”

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Double bassist with the Chamber Orchestra of Europe and Freiburg Baroque Orchestra and Teacher of Violone and Historical Bass in Graz and Frankfurt, Dane Roberts details his experience as a musician from the United States and Europe and his thoughts on the role of the “historical” double bass and its place in the current classical music landscape.

Dane Roberts: “I Think if Someone Really Wants to Get Into Early Music, They Should Start With a Single Piece or Composer They Are Fascinated by and Follow the Obvious Leads. You Will Be Surprised How Far That Will Take You!” Open »

Double Bass

Herng-Yu Pan: “Auditioning Taught Me How to Fail, and I Think This Is a Good Thing to Learn as a Musician”

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Herng-Yu Pan, double bassist with the BBC Symphony Orchestra and Professor at the Central Conservatory of Beijing, offers insights about her first few years playing in a major symphony orchestra and teaching across the world during a pandemic.

Herng-Yu Pan: “Auditioning Taught Me How to Fail, and I Think This Is a Good Thing to Learn as a Musician” Open »

Double Bass

Franco Petracchi: “Study Is the Essence That Allows You to Work and Teach Successfully”

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Franco Petracchi is a master of masters. He rarely gives interviews, so we are extremely fortunate that he has agreed to this exclusive interview for Bass Magazine subscribers. Enjoy what one of the most relevant characters of the double bass of the 20th and 21st centuries has shared with us.

Franco Petracchi: “Study Is the Essence That Allows You to Work and Teach Successfully” Open »

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