Double Bass

Giuseppe Ettorre: “I Think You Should Play Music Because It Is a Part of Your Being”

Performer Giuseppe Ettorre talks about his inspirations and approaches to playing the bass, as a soloist and in the orchestra. The first double bass soloist at the Orchestra of La Scala of Milan shares his thoughts on what has helped him find success in competitions, recordings, and playing, from listening to Jaco Pastorius to being efficient in the practice room.

Giuseppe Ettorre: “I Think You Should Play Music Because It Is a Part of Your Being” Open »

Trombone

Introducing Jay Friedman, Principal Trombone of the Chicago Symphony

We are delighted to present an exclusive video interview featuring Jay Friedman, the Principal Trombone of the Chicago Symphony Orchestra. The interview is hosted by David Cooper, the Principal Horn of the same orchestra. As an ardent admirer of Friedman’s talent and his esteemed colleague, Cooper is the best person to introduce Friedman to our audience. This engaging conversation offers a rare and valuable glimpse into the world of classical music, seen through the eyes of one of its most respected and celebrated musicians. Cooper’s expertise and familiarity with Friedman’s work, along with his unique perspective as a fellow musician in the CSO, make this interview an exceptional resource for music enthusiasts, aspiring musicians, and anyone interested in the world of classical music.

Introducing Jay Friedman, Principal Trombone of the Chicago Symphony Open »

Saxophone

Interview with Timothy McAllister, Part 1 — “Empowering Students for ‘Their’ Path”

Timothy McAllister, a globally recognized saxophonist and professor of Saxophone at the University of Michigan, discusses his perspective on natural talent in music in this interview. According to McAllister, although some individuals possess an innate ability for music, the greatest success stories arise from those who comprehend the importance of a strong work ethic. He debunks the notion of natural talent by highlighting the extensive practice and hard work that even the most gifted musicians put in to achieve success. McAllister also shares his own early accomplishments, which he attributes to a system of stringent competitions and contests in Texas. He encourages his students to listen to diverse music genres, including jazz, popular, and classical music, to develop a comprehensive outlook and integrate novel concepts into their playing. He further emphasizes the significance of producing organic and completely integrated music instead of a mechanical one. McAllister cites John Coltrane as an inspiration, despite his own music being predominantly classical. He criticizes the teaching approach of some classical saxophonists like Marcel Mule, who taught students to emulate him, thus limiting their exploration of the saxophone’s possibilities. Instead, McAllister urges saxophonists to be pioneers and consider the broader influence of their work. This is the first part of Tim’s interview.

Interview with Timothy McAllister, Part 1 — “Empowering Students for ‘Their’ Path” Open »

Bassoon

Per Hannevold: “My Teacher at Juilliard Used to Say That the Best Advice Against Being Nervous Is to Know What You’re Doing”

Bassoonist Per Hannevold discusses his beginnings in music, his experience as principal of the Bergen Philharmonic Orchestra, the importance of chamber music and the Bergen Wind Quintet, his teaching and advice for students, the Aspen Music Festival and an amazing musical discovery.

Per Hannevold: “My Teacher at Juilliard Used to Say That the Best Advice Against Being Nervous Is to Know What You’re Doing” Open »

Clarinet

Stephen Williamson: “Music Is a Universal Language. It’s Been Gratifying Within the Doom and Gloom of Everything Shutting Down to Be Able to Perform and Teach Virtually”

Stephen Williamson, Principal Clarinet of the Chicago Symphony, talks about how his practice routine has changed during the pandemic. He records himself almost every day to identify and work on flaws in his playing. Williamson also discusses how the Chicago Symphony’s activities have been affected by the pandemic, including the formation of a woodwind quintet and the production of the CSOtv series. He underwent rotator cuff surgery during the pandemic and returned to performing just six weeks after the surgery. Williamson also teaches virtually and is involved in two different websites where people can get lessons, master classes, or group chamber coachings with him. Finally, he talks about his family’s musical video project and expresses gratitude for being able to perform and teach virtually during the pandemic while acknowledging the difficult situation for other musicians.

Stephen Williamson: “Music Is a Universal Language. It’s Been Gratifying Within the Doom and Gloom of Everything Shutting Down to Be Able to Perform and Teach Virtually” Open »

Bassoon

Jacqueline Wilson: “As a Teacher, I Want to Flip the Narrative and Say, ‘You Are a Musician. You Inherently Have Worth. What Is Your Individual Viewpoint or What Unique Path Are You Going to Carve for Yourself to Contribute to This Field?’”

Dr. Jacqueline Wilson serves as the Assistant Professor of Bassoon and Theory at Washington State University and is a co-host of “The Double Reed Dish” podcast. In this article, she shares her insight as an active performer, pedagogue, creator, and advocate in the double reed community and beyond.

Jacqueline Wilson: “As a Teacher, I Want to Flip the Narrative and Say, ‘You Are a Musician. You Inherently Have Worth. What Is Your Individual Viewpoint or What Unique Path Are You Going to Carve for Yourself to Contribute to This Field?’” Open »

Bassoon

Per Hannevold: 18 Highlights in His Life

Per Hannevold is a renowned bassoon player who has made a significant impact on the classical music scene. From his early years of studying music to his professional career as a soloist, Hannevold’s life has been filled with impressive accomplishments and memorable moments. This article features 18 highlights in Hannevold’s life, including his debut performance with a professional orchestra, his collaborations with world-famous conductors and orchestras, and his experiences as a teacher and mentor to aspiring musicians. Readers will learn about the challenges and triumphs that have shaped Hannevold’s career, as well as the personal experiences and insights that have contributed to his success. With its engaging storytelling and rich detail, this article offers an intimate look into the life and legacy of one of the greatest bassoon players of our time.

Per Hannevold: 18 Highlights in His Life Open »

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